A powerful pagan myth meets a poetic fairytale

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

Jonathan Gaisman is a KC and a writer on cultural topics

‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian

Let’s get the inevitable out of the way: Rachmaninov’s Piano Concerto No. 2 is one of the most popular pieces in history, and it also made David Lean’s 1945 Brief Encounter into the movie we know and

Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn