Hildur guðnadóttir

Michael Fjeldsøe, Katarina Smitt Engberg, Bjarke Moe Aarhus University Press 978-87-7597-332-3 794pp (hb) £39 Academic studies of composers notoriously combine convoluted, abstract thinking with an in

Last year, our brilliant critics immersed themselves in an extraordinary range of recordings that included striking debut releases and long-awaited offerings from legendary musicians. Alongside exquis

Malin Broman (violin); Swedish Radio Symphony Orchestra/Daniel Harding OUR Recordings 9.70867 22 mins This recording comes from the premiere of Helen Grime’s Concerto in 2016, but it has taken a long

Lidy Blijdorp; Tobias Borsboom Channel Classics CCS47726 65:29 mins Using the recording genre creatively is an art in itself. What can it offer that perhaps a live concert cannot? I think it allows mo

Never meet your heroes, so the saying goes. Writing about a favourite subject – classical music – has permitted me occasional opportunity to test that theory. While the odd star might have tarnished a

The perhaps wisely uncredited author of the piece about Tellef Johnson’s premiere of Sorabji’s Piano Sonata No. 5 (Full Score, February) seeks to claim ‘due seriousness’ for their report. The presumed