The full score

There’s a trepidatious growl from the contra-bassoon. Soon, it is joined by French horns, strings and timpani; the sound rumbles, snowballs – and then: abrupt silence. The piano sings into the stillne

The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle

Yet, given the dark and often introverted nature of the concerto, it’s hardly surprising that Shostakovich kept the work under wraps for so long, feeling that programming it was inadvisable until the

A scholarly investigation lasting more than 30 years has resulted in two organ pieces by JS Bach enjoying their first performances in over three centuries. In November, the renowned organist and condu

Some years ago, Colin Matthews – a lifelong Londoner – bought himself a composing retreat on the Somerset/ Dorset borders and half-seriously confessed to fears that the view of cows from his windows ‘

After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his