Pyotr ilyich tchaikovsky the tempest

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

Let’s get the inevitable out of the way: Rachmaninov’s Piano Concerto No. 2 is one of the most popular pieces in history, and it also made David Lean’s 1945 Brief Encounter into the movie we know and

December round-up Although he’s been writing and performing for many years, Donald WG Lindsay might come across as a bold new Scottish talent on Two Boats Under the Moon, his excellent two-disc debut

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

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