Mozart* • fazil say**

The summer of 1791 was an exceptionally busy period, even by Mozart’s habitually hardworking standards. He was, to begin with, composing a new opera, Die Zauberflöte (‘The Magic Flute’). Then, in June

Symphony No.1 (arr. Shai Wosner); Piano Trios, Op. 70, No. 1 ‘Ghost’ & Op. 11 ‘Gassenhauer’ Yo-Yo Ma (cello), Leonidas Kavakos (violin), Emanuel Ax (piano) Sony 19802908842 78:03 mins Smiles are power

‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian

December round-up Although he’s been writing and performing for many years, Donald WG Lindsay might come across as a bold new Scottish talent on Two Boats Under the Moon, his excellent two-disc debut

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju