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Edited by Kate Green
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In 1990, the sculptor Rachel Whiteread cast the interior of the sitting room of a vacant London house in plaster of Paris to create “Ghost”, a work which the critic Jonathan Jones described as “the so
Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day
The acquisition of houses by the National Trust from the 1930s had less to do with the impoverishment of aristocratic families than the industrial wealth of bachelor donors, as Michael Hall reveals
So Vincent van Gogh wrote to his brother Theo in October 1876, charting the latest instalment of the Holbein cult. He was renting a room in Isleworth, west London, still hoping for a religious career
John P. Murphy New Deal Art 336pp. Thames and Hudson. Paperback, £19.99. Seymour Fogel’s “Wealth of the Nation”, installed in 1942 in a federal building in Washington DC, depicts a group of workers en
2025 marked the centenary of Erik Satie’s death, an event honoured by commemorations around the globe, including series of concerts, workshops, exhibitions and guided tours in his birthplace of Honfle