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WHEN Charles I visited Edinburgh in June 1633 to be crowned King of the
Alexander Marshal–this country’s first major botanical painter–deserves to be better known, writes Tiffany Daneff, after seeing his luminous originals in the Royal Collection
Johannes Vermeer brightened his native Delft with luminous pictures of women caught in intimate moments, but the serenity of his work, of which he produced remarkably little, is at odds with a life mired in debt, as Carla Passino discovers
I absolutely love this painting; it is so intriguing and there is so much to look at. Apart from the quality of the painting itself and the awe-inspiring brushwork, the subject matter and intensity of
John Constable painted Salisbury Cathedral and Leadenhall from ...
Between a Constable resonating with Nature and a Castiglione blaring with turbulence, a picture by Algernon Newton captured the quietude of absolute stillness