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LEONARDO DA VINCI knew the right strings to pull. Keen to work
England in the 18th century had no love for its landscape, preferring instead Italianate views, until George Stubbs came and decided to paint his horses true to the setting in which they lived, as Bendor Grosvenor reveals
There’s no shortage of great picks at this year’s TEFAF Maastricht, the Netherlands, including a Barbara Hepworth sculpture, a pastel portrait by Dora Maar and two sections of 4th-century Roman mosaics
So Vincent van Gogh wrote to his brother Theo in October 1876, charting the latest instalment of the Holbein cult. He was renting a room in Isleworth, west London, still hoping for a religious career
John P. Murphy New Deal Art 336pp. Thames and Hudson. Paperback, £19.99. Seymour Fogel’s “Wealth of the Nation”, installed in 1942 in a federal building in Washington DC, depicts a group of workers en
In December 1838, a few days after Berlioz had conducted a concert of his own works that included Harold in Italy, a four-movement ‘symphony with principal viola’, the composer found that his bank bal
Hunting in Portugal is as thrilling now as it was for the Duke of Wellington and his officers during the Peninsular War