Johannes Vermeer brightened his native Delft with luminous pictures of women caught in intimate moments, but the serenity of his work, of which he produced remarkably little, is at odds with a life mired in debt, as Carla Passino discovers

John Constable painted Salisbury Cathedral and Leadenhall from ...

Kerry James Marshall, ‘poised between narrative and allegory’

Alexander Marshal–this country’s first major botanical painter–deserves to be better known, writes Tiffany Daneff, after seeing his luminous originals in the Royal Collection

The Ear of the Beholder Huon Mallalieu (Thomas ...

Between a Constable resonating with Nature and a Castiglione blaring with turbulence, a picture by Algernon Newton captured the quietude of absolute stillness