Basic vocal sample editing

OVER THE LAST two columns, I’ve demonstrated a handful of what I consider to be essential “blues approved” licks that work well both as embellishments to rhythm parts or as phrases within a solo. Our

This signature collaboration with Yvette Young incorporates chorus, delay, grain effects and reverbs for atmospheric soundscapes

Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

Richard Barrett experiments with suspended and altered chords to bring a sense of suspense to your compositions

From Rikers Island to Amy Winehouse and “Uptown Funk”: how a late-blooming diva and an indie-label clique helped rejuvenate a classic sound

TODAY I'D LIKE to talk about downpicking — picking or strumming consecutive downstrokes — and why it can be so musically effective. This is something I learned from studying the riff-writing style of