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Essential embellishments for rhythm parts and solos
by Sue Foley
ON MY LATEST album, One Guitar Woman, I pay tribute to many of the female pioneers of the guitar, all of whom are among the biggest influences on my approach to playing the instrument. On the album, I
IN MY PREVIOUS “Blues You Can Use” columns, I focused on what I consider to be essential rhythm guitar and accompanying single-note patterns that exemplify Chicago-style blues guitar, as heard in the
LAST MONTH, WE delved into the all-important topic of developing solid pick-hand timing when strumming. To me, that’s where the groove is: the pick hand is the timekeeper, and I’ve spent a lot of time
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
LAST YEAR, IN the middle of a solo on stage, Ally Venable had a revelation. “I was playing so many shows that it started to become kind of a monotonous blur,” she says. “I noticed I was playing to my
This month, Richard Barrett grabs his acoustic and shows you another way to expand your chord vocabulary