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Andy G Jones investigates how players such as Frank Zappa use two and four-note
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec
‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw
Retracing Our Steps (2007–2014) KSCOPE
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese
On entering a room containing a piano, what pianist doesn’t turn white at the command, ‘You can play – let’s hear you!’ You thought you were visiting friends, not giving a performance, so of course yo