Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec

Praise be! Prog’s most devout figure, Neal Morse, gets the gang back together, dials back the sermonising and reaches for the stars on his band’s sparkling first album in five years.

Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .