Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

A STAPLE OF many great country and country rock songs — and, in the hands of Jimmy Page and Albert Lee, rock songs — is the sound of the B-bender. For those unfamiliar, a B-bender is a string-pulling

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec

THE RICKENBACKER 360/12 might not have been the very first 12-string electric guitar to appear on the market — it was preceded by the 12-string necks found on the doubleneck Gibson EDS-1275 and Strato

Praise be! Prog’s most devout figure, Neal Morse, gets the gang back together, dials back the sermonising and reaches for the stars on his band’s sparkling first album in five years.