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LESSON } Rock-Fusion
In this JTCguitar column you are treated to four
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be
Kammerorchester Basel/Giovanni Antonini Alpha ALPHA1092 76:29 mins The most familiar of the symphonies here, if only because it has a nickname, is No. 55, whose ‘Schoolmaster’ title arises out of the
Works by Bach, Vivaldi and Marcello Amandine Beyer (violin); Gli Incogniti Harmonia Mundi HMM90276970 134 mins The communicative warmth and infectious vitality of Amandine Beyer’s performances will ha
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese