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For this issue Andy G Jones looks at the highly melodic improvisational style of
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese
I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show
The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.
Magic hexes, hotel robberies and cut-throat deals: band members and associates chronicle the heady days of 1972/73, when Led Zeppelin seized control of the industry and became the biggest rock band on the planet.
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec