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Using a voice-leading approach for soloing
MELODIC MUSEby Andy Timmons
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec
On entering a room containing a piano, what pianist doesn’t turn white at the command, ‘You can play – let’s hear you!’ You thought you were visiting friends, not giving a performance, so of course yo
Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .
MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be
Picture the scene: you’re about to get up on stage to give a presentation or performance. Something feels off – you look down, and realise your shirt is missing; in fact, you have no clothes on at all