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As heard on SINGLES COLLECTION ’61-65 TRADITIONAL •
BACK IN 2015, Swiss guitarist Nicolas Meier was playing a low-key gig with violinist Lizzie Ball at Ronnie Scott’s Jazz Club in London. Nothing about it seemed out of the ordinary at first, until Meie
shouting forever into the receiver Anne Denholm (harp), Louise McMonagle (cello), Jonathan Morton (violin) et al NMC NMC D285 61:56 mins Tackling social themes and reckoning with history is part of wh
The playful, melancholic genius of Erik Satie
Poetry that blends music, mortality and fame
J e an’s hand trembled as she pulled ...
A BIG PART of blues is playing over a “shuffle” groove — a triplet-driven swing-eighths feel with a backbeat (accents on beats 2 and 4) — at various tempos. There are many great shuffle-based tunes. A