Rolling thunder

IN LAST MONTH’S column, I talked about how using open G tuning (low to high: D, G, D, G, B, D) has inspired me to find my own musical and compositional voice as a guitarist and craft some cool and uni

MY FAVORITE ENSEMBLE to play in is the power trio. With only three instruments — electric guitar, bass and drum kit — there’s so much freedom to explore concepts like space, time and dynamic range. Th

Works by Bach arr. for clarinet Martin Fröst (clarinet); Jonas Nordberg (lute) et al Sony Classical 19802814742 41:45 mins The album B.A.C.H. from Swedish clarinettist and conductor Martin Fröst conti

Notes Wind off a smaller ball of Yarn A before you begin (or locate the other end of the ball). Use a separate end of yarn for each colour section (intarsia method) and cross yarns at colour changes t

Works by Gesualdo & composers of Naples Concerto Italiano/Rinaldo Alessandrini; Monica Piccinini (soprano); Maria Chiara Gallo (mezzo) et al Naïve OP8677 62:13 mins Don’t be deceived – Carlo Gesualdo

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson