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More on neo-classical-style arpeggios
by Andy Wood
THE W
OVER THE LAST two columns, I’ve demonstrated a handful of what I consider to be essential “blues approved” licks that work well both as embellishments to rhythm parts or as phrases within a solo. Our
TODAY I'D LIKE to talk about downpicking — picking or strumming consecutive downstrokes — and why it can be so musically effective. This is something I learned from studying the riff-writing style of
Richard Barrett experiments with suspended and altered chords to bring a sense of suspense to your compositions
The month’s best guitar music – a hand-picked selection of the finest fretwork on wax
ERIC JOHNSON IS without doubt one of the greatest guitarists of all time, and, as I’ve stated, he has been a huge influence for me from the very first moment I heard him, way back in 1986. One of the
This month…