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Targeting the b5 “blue note”
by Jared James Nichols
HAR
OVER THE LAST two columns, I’ve demonstrated a handful of what I consider to be essential “blues approved” licks that work well both as embellishments to rhythm parts or as phrases within a solo. Our
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
ONE OF MY biggest musical influences is the king of blues power, Albert King. There are so many things that define his unique approach to playing, and I think about these things every time I pick up m
ERIC JOHNSON IS without doubt one of the greatest guitarists of all time, and, as I’ve stated, he has been a huge influence for me from the very first moment I heard him, way back in 1986. One of the
LAST MONTH, I introduced an approach to playing through a 12-bar blues shuffle in the key of E with some of my favorite licks to play over the IV (four) chord, A7, and the V (five) chord, B7. This mon
Richard Barrett experiments with suspended and altered chords to bring a sense of suspense to your compositions