Major 7th options

In the second part of this lesson, Richard Barrett asks you to lend your ears to the sounds of the silver screen for real-life context

IN MY PREVIOUS “Blues You Can Use” columns, I focused on what I consider to be essential rhythm guitar and accompanying single-note patterns that exemplify Chicago-style blues guitar, as heard in the

Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

THIS MONTH, I’D like to talk about the paramount importance of the right, or pick, hand — how it’s the keeper of time and the thing that gives us the groove while we play. I’ll demonstrate some exampl

A BIG PART of blues is playing over a “shuffle” groove — a triplet-driven swing-eighths feel with a backbeat (accents on beats 2 and 4) — at various tempos. There are many great shuffle-based tunes. A

OVER THE LAST two columns, I’ve demonstrated a handful of what I consider to be essential “blues approved” licks that work well both as embellishments to rhythm parts or as phrases within a solo. Our