England in the 18th century had no love for its landscape, preferring instead Italianate views, until George Stubbs came and decided to paint his horses true to the setting in which they lived, as Bendor Grosvenor reveals

So Vincent van Gogh wrote to his brother Theo in October 1876, charting the latest instalment of the Holbein cult. He was renting a room in Isleworth, west London, still hoping for a religious career

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

America’s first Triple Crown winner for 25 years, Secretariat’s speed records from 1973 still stand today. Jamie Haase tracks the enduring significance of the bright chestnut who reset racing’s boundaries

Using an 18th-century wood engraving technique developed for book illustration, Richard Studer enjoys storytelling through his prints

The new Turner Prize (this time, for craftspeople) ...