New book logo rhythm chronicles the band emblem

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.

John Lennon called them “sons of The Beatles”. Axl Rose said there was nothing like them. But how did a trio of Brummies create the progressive orchestral pop rock band who eventually became a global phenomenon following 1975’s breakthrough album Face The Music ?

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The piece I’d never part with

Dennis Morris is most famous for his images of music superstars and documentary work in London. He spoke to Steve Fairclough about his major new retrospective exhibition and book

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.