Manhattan makeover

‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number

Wendy Evans demonstrates how to create custom grungy borders in Affinity Photo 2

Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm

Like the vibe of a famous painting? Use Camera Raw’s Color Transfer filter to reference works of art, as James Paterson explains

Get to grips with the powerful toolset on Mac

Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig