Track 6 joseph haydn (1732-1809) no 2 from 12 short pieces hob.xvii:anh intermediate

Joseph Haydn looked every bit the European celebrity on the night of 4 May 1795. Newly opened in 1791 after a fire, the King’s Theatre glowed in the brilliant flicker of candle chandeliers. At the fro

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

Symphony No.1 (arr. Shai Wosner); Piano Trios, Op. 70, No. 1 ‘Ghost’ & Op. 11 ‘Gassenhauer’ Yo-Yo Ma (cello), Leonidas Kavakos (violin), Emanuel Ax (piano) Sony 19802908842 78:03 mins Smiles are power

The summer of 1791 was an exceptionally busy period, even by Mozart’s habitually hardworking standards. He was, to begin with, composing a new opera, Die Zauberflöte (‘The Magic Flute’). Then, in June

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy