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John Evans takes a look at Pianoteq’s latest innovation �
‘Would you like to go and play the new public piano at St Pancras and write about it?’ asked Erica, the editor of Pianist. ‘Did Liberace like diamonds?’ I replied. ‘I love the idea of public pianos. S
If the quality of a company can be measured by the length of service of its staff, then Steinway UK, this year celebrating its 150th anniversary, is as fine a company as the pianos it represents. With
Is there a special sorcery in Seoul? Cunning creativity in Canada? Preternatural pizzazz in Paris? Oh, why do so many great pianists come from this or that country? We even have some in Britain; is th
WHEN IT COMES to tech, the Boss VG-800 sits at the cutting edge, not just in terms of modeling amps and effects, but transforming your guitar into an entirely different instrument. It can make your St
The Exposition Universelle, held in Paris in 1889 and attracting 30 million visitors during the six months it was open, has bequeathed us the Eiffel Tower in the Champ de Mars where the exhibition too
Patterns, says Clare Hammond. Learning a new piece, especially if you’re committing it to memory, and the clock is against you, is all about finding patterns. ‘If you can find patterns in a piece of m