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Mykola Lysen
Franz Schubert’s Moments Musicaux Op 94 are as captivating and expressive as any of his works, and a good deal more accessible to intermediate players than many. Although published in 1828, Schubert h
Music cannot work a magic spell. It can, however, do wonderful things. In recent issues of BBC Music Magazine, we have explored the benefits to mental health of listening and playing music, not least
Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von
Is there a special sorcery in Seoul? Cunning creativity in Canada? Preternatural pizzazz in Paris? Oh, why do so many great pianists come from this or that country? We even have some in Britain; is th
Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered
Musical instruments have power, simply as things. They speak. They generate emotion. They tell stories about life, death, happiness and sadness – and about the past, which they can resurrect with curi