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The meticulous technique of a nineteenth-century great
Between a Constable resonating with Nature and a Castiglione blaring with turbulence, a picture by Algernon Newton captured the quietude of absolute stillness
Johannes Vermeer brightened his native Delft with luminous pictures of women caught in intimate moments, but the serenity of his work, of which he produced remarkably little, is at odds with a life mired in debt, as Carla Passino discovers
Alexander Marshal–this country’s first major botanical painter–deserves to be better known, writes Tiffany Daneff, after seeing his luminous originals in the Royal Collection
JOHANN KERNER saw the woman coming out of the darkness. She looked ancient and she moved as slowly as a snail, her back bent. She was the most likely source of information he had seen on his travels.
John Constable painted Salisbury Cathedral and Leadenhall from ...
Goethe’s achievement as artist, scientist and statesman