Companion figures

John P. Murphy New Deal Art 336pp. Thames and Hudson. Paperback, £19.99. Seymour Fogel’s “Wealth of the Nation”, installed in 1942 in a federal building in Washington DC, depicts a group of workers en

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

Melanie McDonagh Converts From Oscar Wilde to Muriel Spark, why so many became Catholic in the 20th century 368pp. Yale University Press. £25 (US $38). Nobody likes a convert. For believers, the word

So Vincent van Gogh wrote to his brother Theo in October 1876, charting the latest instalment of the Holbein cult. He was renting a room in Isleworth, west London, still hoping for a religious career

Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day

Sibyls , the book born of Ruth Fainlight’s poems and Leonard Baskin’s prints, became a memento of friendship, beauty and sorrow for its author