Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

With Joe Bonamassa having gathered the cream of the scene for the B.B. King’s Blues Summit 100 tribute album – and written the intro to this feature – we take an alphabetised look back at the blues legend’s classic tracks, hotel bombings, car crashes, conspiracy theories, towering infernos and more…

On entering a room containing a piano, what pianist doesn’t turn white at the command, ‘You can play – let’s hear you!’ You thought you were visiting friends, not giving a performance, so of course yo

A STAPLE OF many great country and country rock songs — and, in the hands of Jimmy Page and Albert Lee, rock songs — is the sound of the B-bender. For those unfamiliar, a B-bender is a string-pulling

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec