Between the bars

shouting forever into the receiver Anne Denholm (harp), Louise McMonagle (cello), Jonathan Morton (violin) et al NMC NMC D285 61:56 mins Tackling social themes and reckoning with history is part of wh

Send your brickbats, bouquets, reminiscences, textual critiques, billets-doux and all forms of printable correspondence to letters@uncut.co.uk

The playful, melancholic genius of Erik Satie

The Fateful Symmetry MUTE 7/10

Celine Dion, a tree made of coat hangers, Crufts… Thirty years after the startling experiments of Tilt defined SCOTT WALKER ’ s latter-day career, his collaborators reveal all about the idiosyncratic working practices that took him from teen idol to avant-garde hero. “It was almost like a rejection of his past,” one eyewitness tells Rob Hughes. “Almost like anti-music.”

To celebrate the imminent arrival of Tracks II: The Lost Albums , Uncut takes a revelatory trip inside the archives of BRUCE SPRINGSTEEN . There, we piece together the stories behind an unexpected and expansive alternate discography not even the most devout Bruce fans could have imagined – from garage sessions and solo experiments to film soundtracks, pared-down dustbowl dramas, Vegas swing and more. “If you want to understand how Springsteen works creatively, he’s never shown you more of his cards than he does here,” one collaborator confides to Peter Watts