The woman who had it all

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

I’VE BEEN DEVELOPING A PORTRAIT STYLE of painting that combines realistic female characters in surrealistic backdrops. The women are usually built through a collage-style process; borrowing eyes, nose

When COUNTRY LIFE’s Henry Avray Tipping spotted a 17th-century four poster languishing in a Herefordshire attic in 1911, he set off a chain of events that saw the bed leave its ancestral home and land at The Met in New York

From the smoke-blackened ‘engine room of the Empire’ came a group of radical artists that stripped art of heroism and sentiment and took the world by storm. Mary Miers traces the history of The Glasgow Boys

Exhibition of the week Millet: Life on the ...

EVEN when long dead, Diego Velázquez changed Mary ...