Diminished returns, part 2

OVER THE LAST two columns, I’ve demonstrated a handful of what I consider to be essential “blues approved” licks that work well both as embellishments to rhythm parts or as phrases within a solo. Our

Richard Barrett experiments with suspended and altered chords to bring a sense of suspense to your compositions

Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

LAST MONTH, I introduced an approach to playing through a 12-bar blues shuffle in the key of E with some of my favorite licks to play over the IV (four) chord, A7, and the V (five) chord, B7. This mon

ONE OF MY favorite sounds in blues and blues-rock soloing is utilizing the “blue note.” I’m talking about the flatted 5th, or b5, which is located one half step below the 5th of the root note of whate

ERIC JOHNSON IS without doubt one of the greatest guitarists of all time, and, as I’ve stated, he has been a huge influence for me from the very first moment I heard him, way back in 1986. One of the