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Frank Stephenson critiques car designs
Ferrari Amalfi
HARD AND SOFT SURFACES TRANSITION DELIBERATELY, AVOIDING OVER SCULPTING HIGH-MOUNTED REAR EXHAUST ANCHORS REAR DESIGN AS A CENTERPIECE EDGES ARE CRISP, ALMOST KNIFE-LIKE, REINFORCING TECHNICAL CHARACT
Roma becomes Amalfi as the entry-level Ferrari gains a bundle of welcome improvements. Not perfect, though
TopGear: We heard that many years ago you had sketched a ‘Veyron facelift’ that never came to be. Is that true? Tell us the story. Frank Heyl: Yes, there was an inbetween stage. We were working on the
Last week a couple of separate but related events unfolded in the world of Monopoly-money cars. Bugatti revealed an impressive Chiron-based Veyron 2.0, while across the Atlantic, in Florida, somebody
As new models become ever more bloated and indistinguishable from one another in their visual appearance, is it any wonder that car designers are inclined to look over their shoulders at their marques
Winning was always the true religion at Maranello. As much as Enzo Ferrari promoted the ideals of power, exclusivity and heroism as the basis of his race and road cars, this mystique was expertly entw